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English Analogion is a collective effort led by Gabriel Cremeens to offer musical scores and other liturgical resources for those who utilize traditional Byzantine Chant in their celebration of the services of the Orthodox Church. 

New scores and resources are added on a regular basis, so please check the Updates section below to keep apprised of the most recent additions. (You can also subscribe to our email list.)

While some of the content on English Analogion is free, most of the scores and other resources we provide are available only to members (either individuals or churches) who pay an annual subscription fee. We are thereby able to financially support our various projects to make the wealth of Orthodox hymnography available in the English language with traditionally-composed Byzantine musical scores. To become a member, click here.

Recent Additions and Updates:

Plagal 4th Anastasimatarion Materials

Details:
In anticipation of the upcoming weekend, the following new materials have been uploaded:
1) A complete setting of all of the hymns of Saturday Vespers and Sunday Orthros in Plagal 4th Mode, using the translations from the HTM Octoechos. Many of these settings were originally composed by me for the Octoechos classes that I teach at Trisagion School of Byzantine Music.
2) The complete metered Sunday Canon of the Resurrection in Plagal 4th Mode, by an anonymous contributor to my website. (Previously, only Odes 1, 3, and 9 were available.)
Both of these are available on the Pl. 4th Octoechos page, and both are available for free.
Link(s):
Plagal 4th Mode Octoechos |
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Details:
I have just uploaded a full set of music for the hymns at the aposticha for Wednesday Vespers in all the modes. Modes 1-Pl. 1 are my own compositions; modes Pl. 2-Pl. 4 are by Phillip Carl Phares, with a few small edits by me.
The scores are designed to be used in conjunction with the HTM Octoechos, so they provide music only for the hymns that are idiomela or automela; anything that is a prosomion simply has the incipit listed, to direct the singer back to the Octoechos.
Link(s):
Octoechos |
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New Music for the Archangels (November 8th)

Details:

I’m pleased to announce that a number of new scores for November 8th have been uploaded.  Specifically, a complete set of music for the Entreaty can now be found on the November Menaion page.

Also, it should be noted that there are two settings of the Theotokion at “Lord, I have cried” for November 8th, each one with a different text.  The first setting uses the text provided in the November Menaion of Holy Transfiguration Monastery.  However, the text found in the Menaion (both in the original Greek and in HTM’s English translation) differs from the text found in all classical musical scores that I was able to find. The Greek text found in the Menaion for November 8th reads as follows:

Συγχάρητε ἡμῖν, ἅπασαι αἱ τῶν Παρθένων χοροστασίαι· ἡ προστασία γὰρ ἡμῶν, καὶ μεσίτρια καὶ σκέπη, καὶ μέγα καταφύγιον, τὴν σήμερον ἡμέραν, *ἐν τῷ σεπτῷ αὐτῆς τεμένει, παραδόξως ἐποπτανομένη ἁγιάζει·* Ὅθεν κατὰ χρέος ἀνυμνοῦντες αὐτὴν βοήσωμεν· Σκέπασον ἡμᾶς, ἐν τῇ σκέπῃ τῶν πτερύγων σου, ἄχραντε Θεοτόκε Δέσποινα.

In English:

Rejoice with us, all ye choirs of virgins, for our protection, our mediatress and shelter, our great refuge, halloweth this day *as she is wondrously seen in her august temple;* wherefore, as is due, let us praise her, crying out: Shelter us under the shelter of thy wings, O immaculate Lady Theotokos.

However, every classical musical score I found in various Doxastaria read as follows:

Συγχάρητε ἡμῖν, ἅπασαι αἱ τῶν Παρθένων χοροστασίαι· ἡ προστασία γὰρ ἡμῶν, καὶ μεσίτρια καὶ σκέπη, καὶ μέγα καταφύγιον, τὴν σήμερον ἡμέραν, *ἐν τῇ σεπτῇ αὐτῆς καὶ θείᾳ προμηθείᾳ, τοὺς θλιβομένους παραμυθεῖται·* ὅθεν κατὰ χρέος, ἀνυμνοῦντες αὐτήν, βοήσωμεν· Σκέπασον ἡμᾶς, ἐν τῇ θείᾳ προστασίᾳ σου, ἄχραντε Θεοτόκε Δέσποινα.

In English:

Rejoice with us, all ye choirs of virgins, for our protection, our mediatress and shelter, our great refuge, *[on this day] consoleth the afflicted with her hallowed and divine providence;* wherefore, as is due, let us praise her, crying out: Shelter us in thy divine protection, O immaculate Lady Theotokos.

Interestingly, the second text is the same as the Theotokion for Vespers on September 6th (the Miracle of the Archangel Michael at Chonae), although the text “on this day” is missing from the HTM translation.

Link(s):
November Menaion |
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New Music for the Unmercenaries

Details:

Music for all of the idiomela for Vespers and Matins for the Holy Unmercenaries Cosmas and Damian has been added to the November page.

Link(s):
November Menaion |
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New Music for Saint Chariton (Sep. 28)

Details:

In anticipation of the feast day of Saint Chariton this coming weekend, scores for all three of his doxastica have been uploaded to the September page.

Link(s):
|
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More Music for Saint Cosmas of Aetolia

Details:

Scores for the doxastika at “Lord, I have cried” and at the aposticha for Saint Cosmas of Aetolia have been uploaded.

Link(s):
August Menaion |
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New Music for the Month of August

Details:

I have just uploaded several new scores to the August Menaion page.  These include:

  • August 16: Music for the Entreaty (Lity) for Saint Joseph the Hesychast.  The complete text of his service, translated and metered by the monks of Panagia Vlachernon Monastery in Williston, FL, can be found here.
  • August 24: Music for the the idiomelon after the Orthros Gospel and the Doxasticon of the Praises for Saint Cosmas of Aetolia.  I have also included an alternate Dismissal Hymn to the saint that I translated and metered.
  • August 31: Music for the two doxastica for the Deposition of the Sash of the Theotokos.

More to come, God willing – particularly for Saint Cosmas of Aetolia, whose feast day falls on a Sunday this year.

Link(s):
August Menaion |
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New Music for Saint Panteleimon

Details:

Musical scores for the following hymns for the feast of Saint Panteleimon have been uploaded:

  • The “Glory” at “Lord, I have cried,” in Plagal 2nd Mode (multiple settings)
  • The first idiomelon at the Entreaty, in 1st Mode
  • The “Glory” at the Aposticha, in Plagal 4th Mode

They can all be found on the July Menaion page.

In addition, three settings of the Communion Hymn “In everlasting remembrance” – two in 4th Mode “agia,” and one in Plagal 2nd Mode – have been uploaded to the Divine Liturgy page.

Link(s):
July Menaion | Divine Liturgy |
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A Sacrifice of Praise, Vol. I: First Mode now available!

Details:

Christ is risen!

Over the past six years, I have been working on a series of books with both the text and musical scores for the Divine Liturgy, with facing pages in English and Greek.  I am pleased to announce that A Sacrifice of Praise, Vol. I: First Mode – the first installment in this series – has just been published by Cappella Romana in a beautiful hardbound leatherette volume.  You can read more about it (and order it) here.  God willing, volumes in the other modes – and editions in Western staff notation as well – will be published over the next several years.

 

Link(s):
A Sacrifice of Praise |
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Canon of Pascha: Modern English Edition

Details:

I’m pleased to announce a new addition to the website: a modern English edition of the Canon of Pascha, adapted from the Elizabethan English version found in The Mystic Pascha. In preparing this version for use at my parish, I also metered the megalynaria verses at the 9th Ode.

Christ is risen!

Link(s):
Pentecostarion |
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Byzantine Music Score
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